Always quirky, sometimes sweet speculative fiction

Category: About Writing (Page 6 of 7)

thoughts about writing, be it short stories, novels or even blogs

Research

It’s rather odd researching for a novel. You need to know a lot of details (even when your world is made up) but while you research you have to be careful to not put too much of your findings in your writing and bore your reader. It’s a fine line to walk down. You need to create authenticity with your details, but you can’t bash your readers over the head while fanning yourself with a smug smile that says ‘I know more than you do’.

For example, I spent over an hour trawling the internet looking up Bedouin musical instruments (I started off thinking Arabian musical instruments, but then thinned it down a little more). I researched what they looked like, where they came from, listened to how they sounded on YouTube, all for perhaps a paragraph and a couple of tiny references when a musical troupe performs for my protagonist. The instruments themselves and the music they created were overshadowed largely by their players and the dancer alongside them. Those characters in turn were overshadowed by my protagonist.

I could just have written ‘they played music’, but how does that help illustrate the strange new world my protagonist finds herself in? I detail my music, give you some sounds and a picture for your imagination to work with, but I don’t tell you everything I’ve learned about rebabs and khallols because frankly, the reader doesn’t need to know. The reader only needs the atmosphere the presence of these instruments creates.

That is what your research details are for, creating atmosphere – not showing how well you can comb the internet.

Re-writing

Writing my second novel was the easy part. My son was a sleepy angel who would wake me for a 5:30/6am feed then sleep til 8am and go to bed at 9pm (obviously there were naps during the day as well) allowing me to get up early and stay up late without exhausting myself and I used this fabulous month to tap the novel out of my brain and onto the page.

I printed it out as soon as I’d run spell check and tried very hard to wait a fortnight before editing(a well-known writer’s trick that is supposed to ‘distance’ you from the words you wrote).

The entire editing process has been painfully slow. I’m only about two thirds through. I wrote the novel faster than this. The lethargic pace is partly due to my son not being so generous with his bed times (babies love to change up their schedules every few months). The other (read: larger) problem was that something was wrong, but it was eluding me.

In my earlier posts I told you all that my writer’s group sure as heck knew what the problem was. As soon as my problem was identified I was full of ideas and went back through that first chapter and a half and rewrote probably 90% of it. A few lines and paragraphs made it through alive, but the remainder were slaughtered as sacrifices to the Muse.

It’s very interesting to see how much a simple idea (or hint or tip) can help you. It’s just as interesting to see how much of a problem the same ‘simple’ idea can be when it remains unidentified.

Has anyone else found this to be true?

Writers Group – My First Critique

In my previous post ‘Nerves’ I told you all that I had submitted the first chapter and a half of my current WIP for critique. One of the reasons I chose that was because of how much I was struggling with my revision of the first draft and how I couldn’t pin-point what was wrong. Well my group certainly knew! It was unanimous that my protagonist was a whiny, passive bitch. It makes perfect sense. In Storybook Perfect my main protagonist (Yui Watanabe) is already a strong young woman so doesn’t have a great deal of growth in that area. I wanted Fanta to grow more so I purposefully weakened her at the start, burdening her with an anxiety disorder among other things. Unfortunately I made her so weak she’s not easily likeable.

Fortunately this is something I can fix. The person Fanta becomes later in the story will simply have to be clearer at the start. I’m quite confident that this is the problem I was sensing from my manuscript – the false/forced growth of my protagonist. I’m sorry Fanta, hopefully they’ll like you a bit more next time ;p

Getting my work critiqued was great. It was also widely agreed that the alternate world setting was awesome. That makes me beam with pride since the reason my other novel was turned down by the agent who requested the full manuscript was because the world was too ‘stock standard fantasy’(I’ve made a lot of changes now so it’s a bit less run-of-the-mill for those curious – I listen to feedback). Funnily enough she disliked the world, but loved my protagonist – the exact opposite of this story, so I’m laughing quite a bit right now.

I also really love talking to several of the members of the group. I’m looking forward to next time eagerly.

Nerves

The last two weeks have been crazy with work. My once part time job in which I worked two days a week for 5 hours a day or less is suddenly a five days a week, full day shift job. It’s because the store manager is on holidays and while the boss is away everyone seems to be looking to me to run the store and the massive mid-year sale set-up. I can understand why, I was a manager for 5 years sometimes running much busier stores, but I came back from maternity leave as a simple casual for a reason: to avoid this. This is the cause of my less-frequent posting, but not the cause of my nerves.

I’m nervous because I uploaded my first piece for critique with my writers group. I originally planned to post some of my very best work (the first chapters for Storybook Perfect if you were curious) but didn’t for two reasons. Number one is because I am struggling a bit with revision on Fanta’s story – something’s not clicking right, but I can’t pinpoint it (editing in tiny fragments of time is not helping me either) – and a critique of the early chapters might help me find what I’m missing. Reason number two is because what would I do if my ‘best work’ was torn to shreds?

I know I’m just being paranoid, I mean the work is pretty solid – those opening chapters were enough to get the first agent I approached to ask for my full manuscript, so they can’t be too crappy – but that doesn’t ease the fear that all writers have: that I’m just not good enough.

Funnily enough, even with that thought in the back of my head it doesn’t stop me from uploading other work for critique or from continuing to work on becoming a published author. Even if I worry I ‘might not be good enough’ I’m not going to give up, because you know what? If I’m not good enough now, what’s to say I can’t work hard and eventually be good enough – or better? Anyway, giving up just isn’t my style.

Revision and The Anti-Muse

I do have some proper content to provide you with, but first I just want to gush briefly about my son. While buttering our breakfast crumpets I wondered why on earth he was being so quiet in the living room, so peered around the corner to check, assuming Sesame Street would be filling his little eyes with wonder. Instead I found him on one of the chairs at the dining room table. He had prised open my laptop and grabbed what remained of my morning tea and was drinking the tea with one hand while bashing the keyboard with the other. This is exactly what he perceives my early morning to be ;p It was so cute, but I couldn’t grab the camera for fear he might spill the tea on my precious PC.

OK, on with the content my title promised.

I’m revising the recently finished first draft of (working title) Fanta’s Story – it has a temporary alternate title of ‘All The Stars’ but it’s fighting against ‘The Missing Stars’ and ‘The Dissidents and Stars’ all I know is stars are most definitely going to be involved in the title. More on titles in a later post.

Right now I’m wondering if I may have jumped into my revision a little too soon. There’s plenty of red pen to be found, rewrites scrawled on the back of the page it will belong to, but something still doesn’t seem right. I can’t pinpoint it right now and the work is still far too rough for me to show it to anyone just yet. Possibly my squirgly tummy is reacting simply to that roughness – Storybook Perfect was rewritten about eight times before it even made it to first draft stage NOT THE WAY TO DO THINGS, BELIEVE ME! – or maybe my brain is filled with the paranoia which comes along and plagues writers and other artists from time to time. You know what I mean, that ‘I’ll never be good enough’ attitude that pushes to the fore-front of our grey-matter on occasion to make us doubt our skill, our talent, our resolve, our very self-worth.

Writers often talk about ‘the Muse’ as the wonderful part of our mind that blesses us with the very best ideas. This beast that bursts forth I call the Anti-Muse. Creativity splutters to a halt, and the editor becomes even more perfection driven than usual, critical of everything without reserve. I’m even looking at my website – which long term readers will know took me three days to get to this stage due to a lack of knowledge of CSS code – and thinking it looks too kiddie, like my attempt at a Sailor Moon fan site when I was fifteen. It’s frustrating because I do not have the time to learn the code I need to make the site look more professional but neither do I have the money to pay someone to do it for me and the Anti-Muse sure as heck won’t let me leave it like this for much longer.

The Anti-Muse has some good ideas of things to add, like perhaps the blurb or pitch for my novels and a teaser or taste of the first chapter – I might leave that for when I have the books at a stage where they are ready or almost ready to sell – but she’s none to nice when she offers these ideas up.

A part of me wants to step back from the revision and give myself a little more time, but the other part of me tells me I might as well finish this run off and then come back again at a later date, after all, we all know I’ll never just do one revision anyway.

I think what I really need to do is take the Anti-Muse and go for a drive and leave her in some ditch on the side of the road between here and the highway (there’s a lovely, long stretch of road with not much but fields, trees and distant houses that runs for about 15 kilometres) but considering she’s a part of me (and has a few valid points) I think it might be better to weather the storm and keep reminding myself she’s just my anxieties given voice.

Do you have any good names for your Anti-Muse? Or can you think of any particularly heinous monsters whose name could be used? Let’s have a good laugh at the expense of our inner-critics.

First Meeting

I’ve been wanting to join a writers group for a long time, craving the chance to both be critiqued by others (particularly those not emotionally invested in myself and my work) and to improve my own critiquing skills. Both time and fear have been holding me back.

The fear was the smaller of the two problems. I’m not an introvert so talking to strangers isn’t a daunting task. What worried me was that the group would not work for me. I worried that either I would dislike them (too harsh with their critiques and/or taking joy in that or too nice and pandering, not allowing themselves to say things that needed to be said) or they would dislike me for the similar reasons to why I might have not liked them.

The group I joined was a delight. We all noticed different things from the same pieces and while opinions occasionally differed it didn’t create any animosity between the opposed individuals. I was also glad to find out I wasn’t  awful at critiquing – which was another fear I had since I’ve never critiqued anything and then been able to listen to the author’s reply, unless you count myself… which would be weird.

While the whole group writes in the speculative fiction genre we all seem to write slightly different sub-genres, giving us all a chance to enjoy the widely varied worlds and styles. It was a fun day with some very cool people. I’m looking forward to our next meeting and a little disappointed it’s a whole month away!

The Scenario You Never Considered

There is always a scenario you never considered. Yesterday I was telling you all how my imagination was driving me mental because all that my mind wanted to do was imagine possible outcomes. I thought of wonderful things and awful things that could happen when I was contacted. I never thought I might not have been the only one. There was another woman who tried to go into the seminar with her pram and consequently was refused entry. She’d driven twelve hours to attend the convention (holy heck, 12 hours in a car with a baby, glad that wasn’t me). In all my musings I’d not once thought I was not the only one or might not have been the one he was looking for.

It dawned on me that this is why we have friends and test readers we share our stories with. They can help us see the scenario we never imagined. I know sometimes I’ve been stuck for an answer and talked with T-J about my problem and he has far too often calmly replied ’what if you…’ to which I glare and pout simultaneously for a few moments because he found my answer so easily whereas I’ve been moping and moaning for days over the issue.

These external views can be so helpful, not just to see answers we couldn’t, but to see plot holes and other flaws. I can’t imagine putting a story out for public viewing without first showing it to my close reader friends. These people whose opinions we value are worth more than their weight in gold (tempted to make a bad joke about worth their opinion’s weight in gold). If you have someone like this who compliments your weaknesses, don’t let them go!

The Sentence

When I say ‘the sentence’ to another writer they usually nod gravely in acknowledgement or scowl remembering the last time they grappled with this particular writing beast.

The sentence is the hardest form of synopsis. It is your entire novel boiled down to a single sentence – and no Mark Twain’s Huckleberry Finn style sentence that flows on like the river for one and a half pages – fifty words or less.

Difficult though this may be, make a good sentence and you have the perfect answer to when you are asked ‘What is your book about?”. Trust me, that person asking, they don’t want you to ramble on about how the politics of your Dragonmeet are carried out, or in-depth details about your magical system. What they want to hear is “In a world where the gods predetermine absolutely every moment of your life, a young woman from another world joins a group of dissidents in a fight against the gods for freedom.”

That’s the sentence I just tapped out for Fanta’s story. It isn’t the tightest sentence, a little tweaking of words will probably occur between now and approaching agents, but I need to know this sentence so if by some crazy, random happenstance I come face to face with an agent or publisher (oh I can dream, can’t I?) I can quickly sum up my novel and hopefully garner interest.

The sentence needs a few things to work.

You need to make your setting clear. Obviously mine is a fantasy world as implied by ‘in a world where the gods predetermine absolutely every moment of your life’. Of course, you don’t need to be as blatant as I am. If your world is just our normal, modern one you can make that obvious by mentioning a job or a landmark or something else that pertains to your story that will tip the reader/listener of your sentence off as to where the story is set.

You need to mention your protagonist. You don’t need to tell their entire back story but it’s usually good to throw in a powerful adjective and maybe a job or descriptive to give people a little more information about your protagonist. I started out with ‘young woman’ because that’s what Fanta is, a 22 year old woman, but you aren’t necessarily compelled to find out more about her by simply reading young woman. Young, scantily clad woman draws some attention, not the right attention but you get the idea. What you need is something pivotal to who she is or the problem she is facing (apart from the fact she’s about to fight the gods themselves). Fanta is struggling with the decision to get married to her live-in boyfriend, who she doesn’t know what to feel about anymore, so ‘romantically confused young woman’ could be good, but that can imply lots of different things. In the end I decided the fact she isn’t from this world is a compelling piece of information.

The absolute most important thing for your sentence is your main conflict. Clearly for this tale that is the war with the gods over the right to choose how to live their own lives with the antagonist of the tale being the gods themselves.

Usually the writer should start with the sentence and use it as a tool to keep their story on track. I didn’t. Didn’t with Storybook Perfect(to be honest didn’t even know its importance back when I started my first novel) and didn’t with Fanta’s Story. Breaking the rules! This worked in my favour in this particular case because I when I became sick a few weeks back I stopped writing – it was hard enough keeping up with commenting and the blog – and when I tried to start again I felt disconnected from the narrative. So I wrote my sentence to try and get myself back in the groove. It worked, because now the first draft is finished. Hopefully now the sentence will help keep me in check during my revision as well.

Writers and Their Superstitions

We writers can be a superstitious lot. I know writers who have a special location they prefer to work at, or a particular item of clothing they think makes the muse be more attentive. A lot of us seem to have something we believe we need to make us more successful or more creative in our endeavours.

I’m an intensely superstitious person – but not in the standard way. Walk under a ladder, yeah, done it way too often. Black cats? Cute and cool, but don’t care which way I cross their path. Mirrors, broken a few, mostly for art projects back in high school or by accident when moving. However I have certain habits, like when I used to drive to work every day I would look out at a lake I drove past and knew I would have a good day if I saw a bird with its wings fanned to dry in the sun. If there were no birds, I knew that a particular someone I didn’t like would probably visit my store that day. Weirdly enough, it was relatively accurate. A bizarre little superstition, but even now – though work is in the other direction – if I drive past, I look to the lake for my bird friend and gauge whether that day will be good or not.

Shinto Pencils

Shinto Pencils

Lucky charms play a big part in superstitions. Some writers have a special notepad, or pen they like to use. I’m quite partial to my Shinto pencils I bought from the Meiji shrine when I was in Tokyo. The pencils are traditionally bought by students. The students use these pencils to write their notes as they study. The pencils are supposed to invoke a Shinto god to give them luck in academics, make them pass that entrance exam or just generally be smarter. The power of the pencil is released more and more as it grows shorter and shorter with each sharpening. I use mine to write notes about my stories as I plan them.

I also have a lucky editing charm, a pen I bought from Ueno zoo (also in Tokyo – I TOLD you people I’m a Japanophile). It’s one of those multi-colour pens where you click between red, blue, green and black. I use the red and green to do my proofing and editing.

Do you have any weird superstitions or lucky charms, even if they aren’t related to writing?

 

Struggling With Short Stories

Short stories are a great exercise for a writer. They allow the mind a chance to flex its muscles (so to speak) and the writer to push the boundaries of their craft and try their hand at other genres than just their favoured one.

I write short stories most frequently outside of my favoured genre of fantasy. Of the short stories I have written in the last two years I have written two horror (one with vampire bad guys (no kissing these vamps) and zombies, the other with a serial killer and very cool twist), two mystery, one ‘nostalgia’ romance (I think I kind of came up with that genre name, it means the person is remembering being in love – if you know what the genre is really called let me know!) one urban fantasy, three slice of lifes and one fantasy.

Writing outside of my preferred genre seems to be the only way to keep at bay my ultimate short story writing flaw: actually keeping it short.

Short Stories are a struggle for me, not because I can’t write them, but because I will fall in love with a character (or several) or the premise and want to expand on it and next thing you know a less than 3,000 word short story becomes a fantasy quartet. I’m joking, that only happened once, the rest of the time it’s usually just a stand-alone novel.

I must confess that I prefer to write novels over short stories. Everything just seems to flow better and I don’t have to stifle ideas or squash down narrative as I sometimes have to with short stories. True it is much harder to complete a novel than a short story, but there is something more fulfilling in the work – to me at least.

What do you prefer? Or are you a fence-sitter?

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