Always quirky, sometimes sweet speculative fiction

Month: March 2013

Tea and Book Questionnaire

Tea and BooksI originally saw this on Stuff With Thing and thought it looked like something really cool to do. If you want to join in you can throw a link to your blog post doing this questionnaire in the comments.

How do you organise your books?

Novels are sorted alphabetically by author surname then by series order and date of release. My non-fiction is grouped by topic (eg/writing, small business, pets) then author’s surname. My manga is sorted alphabetically by title then number within series. My graphic novels are sorted by publisher (DC, Marvel, Image ect) then into character related series by in-story time line.

Is it weird to be so specific but so different? I might be a little OCD.

Do you prefer series books or stand-alone books?

I’m not particularly partial to one over the other, however when it comes to series I vastly prefer the pre-planned series when the author knows exactly what point they will finish at, like most fantasy series (Tamora Pierce’s quartets, Robert Jordan’s truly epic Wheel of Time), as compared to the never ending series (The Sookie Stackhouse mysteries(I don’t mean I don’t like them, just making an example nearly everyone would know)). There is something much more comforting in reading something planned to only be 3, 4, 14, what-ever many books long when compared to a series which is totally open ended. Maybe because the cynic in me thinks those other series feel like cash-cows after a certain number of books.

Do you have a favourite time of day and/or place to read?

I’m the mother of a toddler. I read whenever I can find the time! I’ve even read a book once when Xander wanted to be pushed on the swing without end. He wanted to keep going so I read a book and pushed the swing with the other hand. He got to swing for ages like he wanted and I didn’t get exasperated by the monotony.

I do also like a tea and a book, or a good soak in the bath with a book too (can’t be interrupted by a toddler in the bath ;p )

Are you the type of person that only reads one book at a time or can you read more than one at a time?

I can read a non-fiction book in tandem with a fiction novel and also be reading a manga or graphic novel (and playing an RPG with a great storyline too!), easily, but I struggle if I try to read two fiction books at the same time. The recent purchase of an ereader has made it a little easier, but it’s still a stilted process.

What is the last book you bought?

The last book I bought for Xander is a picture book, Sora and the Cloud by Felicia Hoshino. It was recommended to me by Jen at Perogies & Gyoza. It is a lovely story with beautiful art and is bilingual. I want to buy him the first ‘How To Train Your Dragon’ book since Xander is mental about the movie/TV show, but have only been able to find the later volumes so far.

The last book I bought for myself was the Story Bundle eFantasy set technically, but for proper paper books my most recent purchase was The Stone Key, the fifth book of Isobelle Carmody’s Obernewtyn Chronicles because somehow I’ve got every other book in the series apart from that one, yes, including the sixth in the series… how I missed the fifth I’ve no idea.

What are you currently reading?

In manga I’m just finishing off Kobato by CLAMP, I’ve read the first five before, but only recently got a hold of the final volume so finally get to find out how it all ends. CLAMP are always great with crazy complex endings.

In fiction I’m reading The Keeping Place, the fourth book in Isobelle Carmody’s Obernewtyn Chronicles(in paper book form) and Joe Abercrombie’s The Blade Itself in ebook form.

If you’re ever curious as to what I’m reading you can keep an eye on my on Goodreads profile.

If you come across an unfamiliar word, do you stop to look it up right away?

If I can gather the meaning by context no(but often will write it down on a near-by notepad so I can look up the precise definition when I have a chance – there is always a notebook nearby in my house), but if it stumps me I will look it up.

When I was a kid I read way above the ‘normal’ level (like The Never Ending Story at 9) and I used to lie down with a dictionary and whatever book I was tackling and look up the words immediately without having to pause too long. In primary school(and some of high school) I was frequently accused of ‘reading the dictionary’ because of my vocabulary.

Do you snack while you read? If so, favourite reading snack?

I try not to snack too much because the food often ends up on the book and I’m a little OCD (little? Probably not the most apt word) about keeping my books tidy. Well-read creases in the spine are fine, but food splotches are not cool. However as a mum now I often have to combine activities, so eating and reading occur a lot more together than they used to. I love to drink a chai or earl grey tea while reading. I’ll sometimes dunk choc-chip bikkies in said tea if I’m hungry, but I have to be careful the soaked bikkie doesn’t fall back into the tea and splash the book.

How Writers Write

So a few people asked me about my last post, in the comments another writer (and friend) mentioned ‘pantsing’ and how many writers walk a line between pantsing and plotting. For the not so writerly out there (or maybe the writers who don’t spend way too much time online discovering these crazy terms) the following is a brief summary of the two main methods of writing.

First, and this is my personal style, there is the planner. We get an idea and we start planning. We world-build, we design costumes, we create characters and their back stories and we work the plot from that little spark of an idea into an entire plot, scene by scene. I’m not positive how everyone else does it, but usually once I have my idea the muse comes in and takes over and it all just flows out – as long as I don’t stop. It’s kind of like I pants the plot, then follow it.

The second method is the ‘pantser’. The pantser has their premise, their idea, their protagonist and antagonist and maybe a few other characters, possibly a scene they can’t wait to get to and they just sit down and start writing. Yup, they do it by the seat of their pants, hence the term. I’m not sure I could pull this off with anything but a short story.

My money's on this guy being a pantser.

My money’s on this guy being a pantser.

To be honest, with both methods you can see a tiny bit of overlap. When I make my initial plot, I am technically pantsing while I come up with the ideas that form the outline, also, while I’m writing my scene outline often reads: “Hayd and Even go hunting, a butengram attacks” so I pants the details. Also if a great idea comes along while I’m typing that sends the book off on a bit of a tangent I tend to follow the tangent to see if it take me somewhere cooler than my original idea – after all, my plot outline is still there and I can go back to it if I don’t like the tangent. On the other side the pantser still has some idea of what is going to happen and who their characters are as they wing their way through their story.

I’ve heard of other methods too, but many of them seem to still fall (technically) under either pantser or plotter, for example the beautiful sounding the snowflake method.

The snowflake method is a mathematical way of coming at a story and planning it. You start off with ‘the sentence’ (for those not in the know this is the sentence that sums up your entire novel in less than fifty words(for an idea of what that looks like check out my ‘Current Projects‘ page and you’ll see a whole cavalcade of them) and start building in a carefully planned method around it. If you want the details, read this page. The snowflake method seems like the hard core planner’s ideal method, but it’s a little too rigid for me.

So, if you aren’t a writer, now you know a little more about writer’s minds. If you are a writer, what methods do you like or use? If it’s pantsing or snowflake I’d love to hear how it works for you or how you go about it because they are fascinating yet foreign ideas to me.

Stalled Writing

Last year I participated in NaNoWriMo for the first time and being a competitive person really wanted to ‘win’. I was quite proud when I met the goal of 50,000 words early in the month. Immediately after my pace slackened and in the final ten days of NaNo I barely managed 5,000 more words – well under my previous achievement.

Originally I thought my sudden lack of progress was a result of having achieved my goal – I sprinted to the finish line, crossed it then sat down to puff and pant instead of jogging on. However, going back to the manuscript now I can see another issue which was probably just as large a contributing factor: my plot outline.

In late October, prepping for NaNo, I moved most of my outline into little plot cards in Scrivener. I didn’t do them all for several reasons, including: I never thought I’d get that far and I like to be a little more flexible with the end half of the novel, because as many writers know things just happen sometimes in the story, while riding on that euphoric, muse-induced typing frenzy ideas you weren’t even aware you were thinking pop out and they cause your story to change course a little. A tight outline restricts this creativity but a softer, looser one encourages you to expand on those new ideas.

So now I’m back in Scrivener, taking my loose little plot outline from a notepad document and trying to put it into little cards so I can finish my NaNo novel before I take part in Camp NaNoWriMo. So far it’s working well, an additional 6,000 words over the last two weeks, slow, but better than nothing. Now lets see if I can’t get myself typing like this guy:

typingmadman

Best News Saved For The Last

Today there was a talk by Kate Forsyth at the Cleveland library, and while I managed to go, Xander had no intention of sitting calm and quiet for even a minute. So I got to pace around the library bouncing him on my hip and when my arms gave out pushing him in the pram trying to stay near enough to hear her talk but far enough away that the grizzling shouldn’t bother anyone. After 45 minutes I remembered I’d packed the iPad and the magic of videos distracted him long enough for me to get her signature on my copy of Bitter Greens. I apologised if he had made enough noise to bother her and she told me that when her eldest son was Xander’s age she had gone to an author’s reading and her son had behaved the same. It’s interesting to see cycles, I wonder if one day an aspiring author/mother will attend my reading and sheepishly come up to me at the end and apologise if her child was disruptive?

Getting a bit ahead of myself there, but we all have dreams, don’t we?

In other news, I’m beta-reading a YA Sci-fi for the talented Talitha Kalago, and it’s great. She’s intending to self-publish, so I’ll keep you updated on when it comes out so you can all enjoy it as well.

And now, the best for last – and I’m not sure if I should talk about this yet – but I have had my first story accepted for an anthology! I’m so excited, but of course the story is still subject to the editing process, so I’m not going to say more until I’ve passed that hurdle, but hopefully soon I’ll be able to tell you all where you can buy my first published story!

Of course, there’s no rest for the wicked, there’s the mythpunk stories I’ve been working on which I’m considering compiling into an anthology, my novel Keys, Clocks and Quests to finish (so it can FINALLY get a real title, not a lame working title), and of course though I have an acceptance letter  now, I also have a bunch of other stories I need to get out into the world, so I need to start submitting other works (like that massive bunch of new short stories I wrote in December and January). So onwards and upwards.

Five Favourite Books

Mary over at A Writer of History leveled an impressive challenge at me: to select my 5 favourite books and write about them. I’m an obsessive lover of many books and series so this was definitely a tough one – do you go with the old classics that moved me in my youth, or brand new sparkling gems? Clearly I’m not letting graphic novels of any kind onto this list because then it would be utterly impossible to limit myself to five. This was hard enough a task.

After much deliberation I selected the following:

first testFirst Test by Tamora Pierce. Really I’d like to say all Tamora Pierce’s books. I think if I ever met her in person I would turn into a quivering mush of goo incapable of human speech, but I’d still try to tell her I love all her books and think she’s awesome and she’d probably nod and smile in that ‘ok,next in-line please’ kind of way.

This series in particular is my favourite. I adored the protagonist, loved the references to a mirror culture of the Japanese one, enjoyed following a lady knight through her training in Tortall for a second time even moreso than the first.

 

howlsHowl’s Moving Castle by Diana Wynne Jones. I must admit, I hadn’t read this book until I saw the Studio Ghibli rendition of the movie. Readers will be pleasantly surprised to discover that the book and movie deviate – both in wonderful ways – I consider neither a disappointment to the other. You just can’t beat the way Jones uses myth and magic in unusual ways.

 

 

 

good omensGood Omens by Neil Gaiman and Terry Pratchett. I’d read a few Terry Pratchett in my later teen years thanks to the televisation of Soul Music and Wyrd Sisters (prior to that teenage me had been too put off by the covers to read them – though now I love the Kidby covers) but at the time I had never heard of Neil Gaiman. After this book I promptly fell in love. The book is so clever – both definitions of clever, witty and smart. And everybody loves an angel and a demon working together to avert the apocalypse. This book is also the reason I have a penchant for the word anathema.

 

 

The Wild GirlThe Wild Girl by Kate forsyth. This book is a new member of my favourites list. A beautiful blend of fairy-tales, historical romance and gritty realism interwoven with a touch of magic. Very hard to resist. I just posted my review on Goodreads for anyone interested.

 

 

 

 

 

geishaMemoirs of a Geisha by Arthur Golden. Being the raging Japanophile that I am no one should be too surprised to see this on my list. The tale absolutely enchanted me when I first read it (though I have to confess I haven’t read it again recently). The cultural information is amazing and who doesn’t want to ‘see beyond the curtain’?

When I was in Japan I actually hunted down the bridge on which Chiyo(Sayuri) first met the Chairman, but for some crazy reason seem to have taken more photos of the view from the bridge than the bridge itself.

 

I’m supposed to tag people to list their five favourite books on their blogs, but we all know I’m too lazy for that, so anyone who wants to try this on their blog, please do – you can say I tagged you ;p

Sneak-Peak: Keys, Clocks and Quests

I really do wish I actually had a final title for the novel before putting up sneak peaks for it, but I still haven’t quite finished the first draft, so that’s not happening(it’s usually sometime during the second draft or later that a good name finally comes to me). However I love this passage and want to share it. It’s a fight scene involving the protagonist and his best friend/perhaps more against a horrific beast.

Without further ado, enjoy this scene from chapter 6:

Battle With A Butengram

Hayd followed Even, placing his feet just as the young monster hunter had taught him. He kept his eyes on everything, looking for signs of prey, his bow half drawn just like Even’s.

Even moved like a spirit, ghosting through the wood with silence and speed that belonged more to a Shain than to a human. He stopped, feet well grounded and raised his bow, aiming for something Hayd couldn’t see yet.

Hayd stepped forward to try and see what Even was aiming at. Whatever the creature was, it was unlikely to be a bird from the way Even was aiming at roughly his own shoulder height.

A twig snapped underfoot as Hayd shifted his weight to his toes and sighted the deer.

The deer’s head jerked up, large dark eyes looking straight at where Hayd stood. He tried to freeze so the deer might think he was merely an unusual tree. The deer clearly possessed more intelligence than that, because in the next instant it bounded off into the bushes.

“Well Light-foot.” Drawled Even. “There goes probably the best meal we would have enjoyed between here and Elta Capa.”

“I’m sorry.” Hayd let his shoulders slump.

Even’s head snapped up and turned slightly, his eyes staring into the bushes beyond Hayd. There was more than a passing resemblance between Even and the deer.

“Get up the tree now.” Even whispered.

“Huh?”

“Tree. Climb, now!” Still a whisper but the urgency twice as powerful.

Hayd still didn’t understand, but he grabbed the low hanging branches of a camphor and swung up, clambering up another branch as Even sprang up after him.

As usual Even was quick, quiet and agile, several branches above him in moments. Even paused, seated carefully in the fork of a branch, re-nocked his arrow and drew the bow, aiming for the ground.

Hayd looked down and saw nothing.

A snuffling noise, thick, bordering on a growl announced the beast. A long hog’s nose wriggled, scenting the grass. The bulky beast held its hairy weight low to the ground, six legs keeping its belly from sliding along the grass.

Upon reaching where Hayd and Even had stood only moments before it sniffed with extra enthusiasm and looked about from side to side, the rolls of fat on its neck limiting its movement. It sniffed again, slower, as if savouring the scent. It snuffled along the ground nearby, searching for the continuation of the scent, unable to understand where this captivating new scent had vanished to. It looked about again, grunting all the while. It tried to lift its head, but was incapable of looking directly above itself, where the prey it wanted hid. Hayd breathed a sigh of relief as quietly as he could.

The creature snuffled the air, such deep breaths they sounded like a reverse snarl. A bird in a nearby tree took flight startled by the noise. The sound of flight snatched the beast’s attention only momentarily, it drew in more breaths and stumped its way over to the tree trunk.

Snuffle-snuff. It sniffed the bark, the end of its nose bumping chunks away. It had the scent. Ponderously it lifted its forelegs onto the trunk, propping its body so its beady dark eyes, all six of them, could catch sight of the tasty morsels in the tree.

The beast’s cry was like a horse’s whinny, but thick with malice. The long sniffing snout opened like the maw of a crocodile, bristling with fangs.

A cry tore itself from Hayd’s chest and his muscles stiffened through out his body.

Even showed no such tremors. He fired the drawn arrow down, but missed the goal of the soft interior of the mouth. Instead the arrow head drew blood in a nasty gash along the beast’s cheek. It shrieked, the noise horrendously like a woman’s cry. Thick, bristly brows wriggled and set low. Even swore.

“What is that?!” Hayd wished he didn’t sound quite so high pitched.

“Butengram. Female by the looks, which means we’re for it if we can’t kill her.” Even was already nocking another arrow and aiming at the whinnying beast below. “In fact, the way butengram feed they’re a danger to their own environment. I’m surprised there was a deer left around for you to startle.”

The arrow flew, sinking into one of the butengram’s eyes.

She reared, shrieking that human scream again. Even drew another arrow from his quiver, shifting his weight as he did so, wrapping his legs tight around the branches of his fork perch.

“Hold on.” Even advised, aiming with care and waiting for the thrashing to stop so he could gain a clear shot.

The butengram slammed its front hooves into the tree trunk. The whole tree shook with the fat beast’s force. Hayd screamed again as he was jostled from his seating. His hands were scraped by the rough bark as he caught the branch that he, only an instant ago, had sat on. With great strength he kept his legs from hanging low, pulling them up and wrapping them around the branch as well. Through every inch of him he could feel his pulse pounding.

Though he did not see it he certainly felt another rear and stomp on the tree trunk. The wood splintered beneath the force of the hooves, the powerful scent of camphor rushed up and flooded his nostrils. There was also a reek of rotted meat, rising out of the gaping mouth of the beast below.

The world shook. At least to Hayd – hanging from the branch for dear life – it seemed to. He pulled himself close enough to the branch to feel the bark scratch his cheek.

A twang sounded, letting him know another arrow flew from Even’s bow. Another horrid scream followed a thick, meaty thwump as the arrow sunk into its target.

Taking advantage of the small gap in the butengram’s attack, Hayd swung back up to sit atop the branch.

Looking down at the butengram he felt his stomach clench. The beast weighed ten of him easily. Even’s arrows, lined up closely along the eyes of the beast, did nothing to lessen the visual ferocity of teeth and hairy leather bulk.

Even swore from his perch above Hayd, and Hayd looked up. “I can’t nock and draw fast enough to shoot inside its mouth.”

“I can help.”

“Your arrows are on the ground.” Even pointed to the splintered remains beneath the butengram’s hooves with his arrow head.

“I can borrow yours.”

Even glanced to the quiver. “I only have three left.”

The tree vibrated again, but Hayd kept his saddle this time. Even rode like a rodeo expert.

“I can do it.”

“You’ll be under pressure.”

Hayd scowled. Did Even think he couldn’t do it? He might not be much of a hunter yet, but he was a warrior damnit, a bit of pressure wasn’t going to affect him. He hoped.

“Fine then.” Called Even. “Catch.” He tossed one arrow down. “You aim for the eye as soon as you see an opening.”

“Why not the neck?”

“Skin’s too thick on top, only soft right near the bottom.” It was unusual to hear Even speak improperly. It was the most potent proof that they were in real danger. During the fire-water slaven attack Even had still managed to speak properly the entire time.

“Ok, so eyes.”

“Yep, I’ll aim for the mouth, when it opens it’s a harder target.”

Hayd nodded, and aimed with care, reciting mentally every tidbit of advice Even had given him about archery. He bit his lip and shot.

The arrow sunk into an eye. Hayd couldn’t keep his cheer in, though the sound of it was utterly swaddled within the butengram’s scream.

Even’s bowstring sung again, followed shortly after by a swear word so nasty Hayd had always been told the word came from the Shain and could be used to summon their ire. He looked up to Even with a paling face for the word’s use.

The butengram was still screaming.

Hayd turned back to face the monster.

Even’s arrow sat wedged between two fangs on the top jaw, buried in fleshy pink gum. His heart faltered. He could understand why Even had used that word now – they already appeared to be Shain-cursed.

The hooves pounded the trunk again. The splintering, tearing noise louder. The tree swung away from the offending hooves, but did not spring back as before. Even cried with horror, his own scream a girlish in its pitch.

The butengram wailed, thrashing her head, stomping her back four legs in rage while blood striped the side of her face.

Hayd felt like his mind took a step back and out from his body to survey the scene. The tree trunk broken, leaning back. Would those hooves strike two more blows before the tree was felled, or only one? Even was struggling to regain his seat, still gripping his bow, the last arrow in his other hand.

“Can you make the shot this time?” Asked Hayd.

“How will we get the mouth open?”

“I’ve got it.”

“Hayd, no!” Even’s terror was genuine, but Hayd was already shifting his weight. His sword scraped from its sheath and he took his own sort of aim as he hurtled himself toward the neck of the butengram.

Even’s scream faded in Hayd’s ears, not because it actually silenced, but because Hayd was so focused.

He was running a gauntlet straight into the realms of the Shain. The reek of camphor made his eyes water, but it was gone in an instant as the smell of unwashed carnivore slammed into him. He ran through the walls of scents, eyes on the beast’s jaws. They were slowly opening, no doubt intending to snap down on some part of him.

A sharp thrust with his left leg and a slight twist of his body and the straight ahead momentum of his body shifted. He would loose a lot of power now he had altered course, but all that power would have given him if he had kept driving forward would be a new home in the butengram’s stomach.

His feet fell into the grass and he ignored the jarring, bending his knees to try and accommodate it somewhat, then used his bent knees to propel him, allowing himself to spring in, this time from the side.

Once the revolting smell of dirt and meat and sweat and sick was all around him – smothering him like the sinking bog had tried to – he thrust the blade at his side forward with all the strength in his arms.

Skin tore. The flesh on the butengram’s neck resisted. It was thicker than leather, tough like Hayd imagined armour might be, but it yielded. Skin tore and crimson leaked out. The bright blood drenched his blade, it splattered his hands, coloured the grass. Skin tore and the butengram raged. She raged with her voice, crying louder than before, loud enough to echo through the forest with vibrant power. A hoof flew and Hayd lost his breath when the limb connected. The force of the kick flung him back, tearing the sword from his hands while it stayed buried in the rolls of the beast’s neck.

Hayd hit the ground. The force would have pushed the breath out of him had the hoof not already done that job. He skidded through the grass, his clothes gaining green and brown streaks in his progress.

He couldn’t get up again. There was no breath and his body was nothing but pain. He could hear the screaming of a woman. As the shrieks faded to nothing he realised those were not the cries of a woman, but the butengram.

Even’s face, haloed with his bizarre hair sprung into view.

“Hayd, are you alright?!”

Hayd croaked.

Even chuckled then asked, “Were you turned into a frog?”

“Don’t laugh at me.” Hayd wheezed, slowly rolling onto his side, raising himself on one elbow while his mid-section throbbed with agony.

“Should I get Mannandam? Do your ribs hurt? Are you getting your breath back?” Even dropped to his haunches like a puppy and watched Hayd with shaking hands.

“My breath’s coming back, but I hurt like a Shain cursed me.”

“Shain don’t actually curse people you know.”

“Really? Met many?”

Even chuckled again. “None I suppose.”

“I’ll take that healing, as long as there’s no more of those ghastly beasts around.”

 

As always I’d love to hear any feedback, though if you dislike it please do tell me what you dislike about it – it would be much appreciated! I’m particularly interested in whether the name Even makes people want to stab me in the face with a pen or not.

February Goals Round-Up

February was not quite the raging success that January was, but it was not a total wash either (if you need a reminder, you can see my original goals here and how awesome January was here).

In the newly added learning goal I have read two books on improving my craft, ‘The Elements of Style’ and ‘Self-Editing for Fiction Writers’. I also attended two webinars and went to my writer’s group and got some amazing feedback (you can read about my reaction in this post). Finally – in the last minutes (OK, not minutes, hours more like) of the month – I joined Holly Lisle’s 7 Day Crash-Revision Workshop. I would have loved to have had the money for her full How To Revise Your Novel course, but alas and alack not this month. (Side note: Holly’s courses are great, I’ve done one of her big ones (How To Think Sideways, now available as e-books) and several of her smaller ones and recommend her to anyone looking at courses on writing. No, I’m not an affiliate, just a happy student.)

In actual creation I made a flash fiction, ‘Eyes on The Sky’, but birthed nothing else new. It isn’t my greatest work to date, and I definitely need to go over it again, but I don’t want to pull it down either.

I started converting the Kindle edit of ‘Written by The Stars’ into the Scrivener file, also did editing and rewrites for my short story ‘The Beauty of the Dance’ and ‘The Wyvern’s Sting’ based on awesome feedback from beta-readers.

I submitted a horror/supernatural piece called ‘Brown Paper Packages’ to my writer’s group for critique after tiding it up, but it was an older piece I went back and cleaned, not a new creation.

I could have done a lot more, even though there was severe back pain, broken down cars which needed parts from France (I know, France? Seriously!?) and relatives moving into our house (and taking up our junk room so aaaaaall that junk needing to be relocated and organised), but also there were things I did instead of writing that weren’t so justified, like playing Ni No Kuni and finishing my 1,000 piece puzzle. So this month I am determined to put in more effort.

At least until Atelier Ayesha comes out ;p

Australian Spec-fic Authors Challenge – February Round-Up

Not the cover of the version I'm reading, but the cover of the first version i read. Kicking early 20's Kirstie for selling it to a second hand bookstore.

Not the cover of the version I’m reading, but the cover of the first version I read. Kicking early 20’s Kirstie for selling it to a second hand bookstore.

For the February portion of the Australian speculative fiction authors challenge I decided to re-read and catch-up on the more recent volumes of Isobelle Carmody’s Obernewtyn Chronicles. I had high hopes of reading most of the six volumes currently out so only one or two of the books would spill over into March. Unfortunately I read several other books as well, so only managed to finish the first three volumes. You can read my reviews thus far: Obernewtyn, The Farseekers, and Ashling.

The Obernewtyn Chronicles focuses on Elspeth Gordie, a Talented Misfit with a great destiny – to prevent the world from suffering a second apocalypse. First she has more to do though, like saving other Talents and guiding them to the one safe place in the Land for them, Obernewtyn, as well as keeping Obernewtyn safe for the tyrannical Council, fanatical Herders and more.

Destiny is constantly dragging Elspeth all over the Land and she soon learns she is involved in more than the one prophecy she originally knew of.

I’ve loved these books for years, since reading them as a teenager. Elspeth is a wonderful character, but an enigma to someone like me who is so open and quick-to trust. The traumas of her orphan childhood have led her to find it hard to accept Obernewtyn as her home, and over the three volumes I’ve read so far she has yo-yoed between accepting she will leave forever and elation at finally returning. Similarly she struggles with friendships and blossoming love. At her core however she is still a character who will fight and risk her life even for total strangers, acts she repeatedly enacts.

I’m looking forward to finishing what is out of the series and am keeping my ear to the ground for a confirmed release date on the seventh and final installment (supposedly September this year, lets hope it is!).

The Wild GirlAs for next month’s read (which I’ve cheekily started this month already since I received an ARC) I’ll be reading Kate Forsyth’s The Wild Girl, which is a story about Dortchen Wild, the girl who grew up next door to the Grimm Brothers and who told them many of their stories.

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